00:00:00 1 小泉 今日子 – Kyon Kyonはフツー 00:07:06 2 Yazz – Fine Time 00:11:27 3 Liza Minnelli – So Sorry, I Said 00:14:23 4 A.R.Kane – Sugarwings 00:17:34 5 Dusty Springfield – Nothing Has Been Proved (Dance Mix) 00:23:01 6 Pet Shop Boys & Liza Minnelli – Twist In My Sobriety 00:27:36 7 The Wild Bunch – The Look Of Love 00:31:08 8 Neneh Cherry – Manchild (The Old School Mix) 00:36:16 9 Edie Brickell & The New Bohemians – What I Am (Soul II Soul Remix) 00:41:04 10 Style Council – Long Hot Summer ’89 00:46:11 11 Tears For Fears – Sowing The Seeds Of Love (Full Version) 00:52:31 12 Cocteau Twins – A Kissed Out Red Floatboat 00:56:12 13 Lorraine Chambers – Back To Bass-Ics 01:00:44 14 Lorraine Chambers – You’ve Gone (Alternate Mix) 01:05:32 15 Lorraine Chambers – You’ve Gone (Original Mix) 01:10:25 16 Malcolm McLaren – Call A Wave 01:13:45 17 Fresh 4 – Smoke Filled Thoughts 01:17:19 18 Fresh 4 – Wishing on a Star 01:20:17 19 Bomb The Bass – Say A Little Prayer (7″ Mix) 01:23:59 20 Soul II Soul – Keep On Movin’ (Feat. Caron Wheeler) 01:29:25 21 Adeva – Beautiful Love (Extended Mix) 01:34:00 22 Joyce Sims – Come Into My Life (UK Remix) 01:39:44 23 The Chimes – Stronger Together (Red Zone Mix) 01:46:12 24 Smith & Mighty – Anyone 01:51:55 25 Smith & Mighty – Walk On 01:55:35 26 Beats International – Dub Be Good to Me 02:00:41 27 Sybil – Don’t Make Me Over (Extended Remix) 02:05:31 28 Bardeux – When We Kiss (Sex Mix) 02:09:33 29 Coldcut – Not Paid Enough 02:16:27 30 Malcolm McLaren – Waltz Darling (extended version) 02:22:42 31 Thomas Esterine – Do You Still Really Love Me 02:27:27 32 Sade – Paradise (Extended Mix) 02:31:19 33 Soul II Soul – Get a Life (Club Mix) 02:35:25 34 Soul II Soul feat. Caron Wheeler – Back To Life (Club Mix) 02:41:24 35 Miles Jaye – Heaven (Celestial Club Mix) 02:48:00 36 Happy Mondays – Wrote For Luck (12″ B-Side) 02:53:21 37 Coco, Steel & Lovebomb – T.S.O.E. – Part 1 (The Sound Of Europe) 02:57:48 38 J.T. And The Big Family – Moments In Soul 03:02:40 39 Innocence – Natural Thing (Elevation Mix) 03:11:45 40 Sade – Nothing Can Come Between Us 03:16:02 41 Chaka Khan – Ain’t Nobody (Hallucinogenic Version) 03:22:05 42 Swing Out Sister – Surrender (Disconet Edit) 03:29:17 43 Inner City – Whatcha Gonna do With my Lovin’ (Def Mix) 03:37:05 44 Tafuri – What Am I Gonna Do (About Your Love) (Original Silk on Steel 12″ mix) 03:43:31 45 The Pasadenas – Tribute (Right On) (The Q Street Mix) 03:48:36 46 Coco, Steel & Lovebomb – Miracles (Don’t Make Me Laugh Dub) 03:52:34 47 Coco, Steel & Lovebomb – Miracles (I Don’t Believe In) 03:56:17 48 Paul Johnson – You’re No Good (Deep House Mix) 04:04:07 49 Pet Shop Boys – Domino Dancing (Disco Mix) 04:11:02 50 Fine Young Cannibals – I’m Not The Man I Used To Be
00:00:00 1 Moody Boys – Free 00:05:05 2 Everis – Topic – Summer Time (Street Mix) 00:09:47 3 Kyoko Koizumi – Good Bye My Love (MIX III) 00:12:34 4 Everis – Topic – Better Love (90’s Ragga Mix) 00:16:48 5 The Cure – Just Like Heaven (Dizzy Mix B-Side Of Close To Me Re-Release Closest Mix) 00:20:12 6 Associates – Where There’s Love 00:24:43 7 Pet Shop Boys – To Face The Truth 00:29:45 8 Kyoko Koizumi – Topic – La La La… (Back Tracks) 00:34:05 9 The Blow Monkeys – Springtime For The World 00:37:01 10 Pet Shop Boys – Only The Wind Parlophone 00:41:09 11 Innocence – Matter Of Fact (Matter Of Dub) 00:47:47 12 Lalah Hathaway – Baby Don’t Cry (Crybaby Club Version) 00:54:10 13 Joanna Law – Love Is Not Enough (Mix D’Ambience) 00:59:10 14 Alyson Williams – I Need Your Lovin’ (Extended Remix) 01:03:37 15 The Cure – Pictures Of You (Extended Remix) 01:11:14 16 Gucci Crew II – Never Seen You Cry (Talkin Mix) 01:16:08 17 George Michael – Waiting for That Day 01:20:40 18 Jesus Loves You – I Specialize In Loneliness 01:26:48 19 Jesus Loves You – One On One (Massive Attack Mix) 01:31:30 20 Cocteau Twins – Pitch The Baby 01:34:21 21 Double Trouble – Love Don’t Live Here Anymore (Back To Bassics Mix) 01:38:37 22 Kyoko Koizumi – No No No (Dub Mix) 01:42:53 23 Oleta Adams – Rhythm Of Life (Full Length Version) 01:49:28 24 Loose Ends – Love Controversy, Part 1 01:52:21 25 Claudia Patrice – Forever 01:58:57 26 Carlton – We Vie 02:02:32 27 Cocteau Twins – Cherry-Coloured Funk 02:05:05 28 Cocteau Twins – Heaven Or Las Vegas 02:09:32 29 Sharon Dee Clarke – Guilty 02:14:30 30 The Times – Confiance 02:18:29 31 Carlton – Come On Back (Mad Professor Remix) 02:20:41 32 Candy Flip – Strawberry Fields Forever 02:24:39 33 Primal Scream – Loaded 02:31:27 34 Ruthless Rap Assassins – Just Mellow 02:34:21 35 Backbeat Convention – Love And Happiness (Quartz Dub All Over Mix) 02:42:00 36 Talk Talk – Life’s What You Make It (The Fluke Remix) 02:47:33 37 The Cure – Close To Me (Closer Mix) 02:52:54 38 Young Disciples – Step Right On (Dub Mix)
00:00:00 1 Movement 98 feat. Carroll Thompson – Joy And Heartbreak (The Raid Mix by Oakenfold & Osborne) 00:06:34 2 Harlem Gem – Missing You (Missing Me) (Wild West Mix) 00:10:40 3 The Project – Don’t Be So Cruel 00:16:25 4 Primal Scream – Come Together (Andy Weatherall Extended Mix) 00:26:05 5 Leta Davis – You’ll Never Get To Heaven (Joey’s Groove) 00:29:26 6 Leta Davis – You’ll Never Get To Heaven (Club Mix) 00:34:10 7 Working Week – Topic – Testify (Blade Mix) 00:39:30 8 Beats International – Dub Be Good To Me (Smith & Mighty Remix) 00:46:19 9 Primal Scream – Come Together (Terry Farley Extended 12″ Mix) 00:54:00 10 Sheila Pate – Feel Like The First Time 00:59:22 11 The Pasadenas – Reeling (Extended Version) 01:06:22 12 Maureen Walsh – Thinking Of You (Rock Steady Mix) 01:12:51 13 Brotherly Love – A Whole Lotta You In Me 01:19:45 14 Carlton – True Colours 01:23:52 15 Massive Attack – Daydreaming (Brixton Bass Mix) 01:28:51 16 Propaganda – Heaven Give Me Words (The Beat) 01:35:43 17 Flowered Up – Phobia (Extended Play) 01:40:06 18 Chellé – Don’t Let It Go To Your Head 01:44:24 19 IJ & The Sound Wave – Adopt A Beat 01:48:30 20 Yunie – I Can See For Miles 01:52:17 21 Loose Ends – Don’t Be A Fool (Twilight Mix) 01:58:22 22 The Clash – Return To Brixton (Extended Mix) 02:04:28 23 Carlton – Cool With Nature (Massive Sounds Remix) 02:08:52 24 Army Of Lovers – My Army Of Lovers 02:11:51 25 Robert Palmer – Mercy Me Me / I Want You (12″ Remix) 02:18:15 26 After 7 – Can’t Stop (One World 12″) 02:24:16 27 C S Lewis – Are You Leaving 02:29:06 28 Kordak – Why Can’t We Live Together (Straight To The Bone Mix) 02:35:03 29 Pleasure – Please (Future Dub) 02:40:59 30 Massivo feat Tracy – Loving You (Summer Breeze Mix) 02:47:46 31 Alisha Warren – Discover me (12 Inch Mix) 02:51:29 32 Carlton – I Will Be 02:54:17 33 Soul Family Sensation – I Don’t Even Know If I Should Call You Baby (Marshall Jefferson Symphony Mix) 03:00:05 34 Flowered Up – It’s On (Feel Pain Mix) 03:04:35 35 Eve Gallagher – Love Come Down (Psychedelic Sanyasin’s Dub)
00:00:00 1 Pet Shop Boys – Jealousy (Extended Mix) 00:07:51 2 Cool Down Zone – Cool Down Zone – Heaven Knows 00:12:03 3 Lil’ Louis – Nyce and Slo (Tony Humphries Wildlife Mix) 00:19:38 4 Paul Rutherford – That Moon (Club Mix) 00:23:48 5 Tara Kemp – Hold You Tight (All Night Instr. Mix) 00:27:26 6 Bass-O-Matic – Fascinating Rhythm 00:31:13 7 The Grid – Floatation (Subsonic Grid Mix) 00:37:58 8 Inner City – ‘Till We Meet Again 00:42:10 9 Caron Wheeler – Livin In the Light (The Original Story) 00:47:33 10 Mica Paris – Contribution (The Revolution Remix) 00:54:19 11 Saint Etienne – Only Love Can Break Your Heart (Version) 00:58:24 12 Saint Etienne – Only Love Can Break Your Heart 01:02:40 13 Carlton – I Know 01:07:33 14 Massive Attack – Any Love (2) 01:11:10 15 Joanna Law – First Time Ever (12” Mellow Groove) 01:16:46 16 Innocence – Silent Voice 01:22:15 17 Neneh Cherry – I’ve Got You Under My Skin (Extended) 01:27:06 18 The Family Stand – Ghetto Heaven (Original Soul II Soul Remix) 01:31:26 19 Cool Down Zone – Waiting For Love (Extended Remix) 01:37:06 20 Saint Etienne – Kiss And Make Up (12″) 01:42:32 21 Kicking Back with Taxman – Devotion (Dangerous Mix Part 2) 01:46:46 22 Loose Ends – Love’s Got Me (Remixed by David Morales) 01:53:13 23 Kiss The Sky – Living For You 02:00:01 24 Kyoko Koizumi – Yoru (Instrumental) 02:05:06 25 Sheer Taft – Cascades (Hypnotone Mix) Ace 02:09:59 26 Happy Mondays – Step On 02:14:43 27 Richard Rogers – Can’t Stop Loving You (Morales Sleaze Mix) 02:22:16 28 Pinky – I Wanna Be The One (Dub Mix) 02:26:49 29 Marisa – Love Is Just A Game 02:31:48 30 Arthur Miles – Helping Hand (Incisive Mix) 02:36:02 31 Paul Haig – I Believe In You 02:39:32 32 Tfm – Out Of Bounds (The Final Mix) 02:44:21 33 Salt N Pepa – Expression (Brixton Bass Mix) 02:49:40 34 Urban Tribe – Covert Action 02:54:45 35 Stereo Mc’s – Two Horse Town 02:59:07 36 Hypnotone – Dream Beam (Hypnotone Original Mix) 03:03:55 37 Lenny Williams – Gotta Lotta Luv (House Mix) 03:11:26 38 Jesus Loves You – Love’s Gonna Let U Down (Popcorn mix) 03:17:18 39 The Sound Of Shoom Feat. Eusebe – I Hate Hate (Dub Mix) 03:25:06 40 It’s Immaterial – Heaven Knows
Although acid house exports provided the sound blueprints for Second
Summer of Love in the late 80s, the rawness of the US originals often
did not really match the ecstasy fuelled day-glo hedonism that was
sweeping UK clubland. Of course the pioneering tracks from Chicago,
Detroit and New York had the same huge impact in English clubs as
they had in Continental Europe, and the American originators brought
music that was informed by no less aspiring ambitions, but it was
also often produced on the equipment that you could afford in
problematic social environments, and its initial target group was
more local, and on another street level than the almost proverbial
MDMA hugs between football hooligans or other thugs and the dancers
they were previously beating up. But UK pop and club culture had
interpreted outside influences into something more pop before and
sent it back, as it had happened with the British Invasion in the 60s
and lovers rock in the 70s, and house, and particularly acid house,
was no exception. In the UK, some clever people not only heard a
difference, they also understood that it had potential far beyond
that. Just a new, small and dedicated scene at first, but maybe more.
Or even much more.
Baby
Ford seemed to have a very clear vision of what was missing for the
music to really cross over and reach such potential, and with his
first promising releases from 1988 up to his first album „Fordtrax“
he brilliantly merged inspirations from Larry Heard, Derrick May or
Todd Terry with a knowledgeable pop sensibility. But in contrast to
other successful London cohorts of the Rhythm King label like Bomb
The Bass, S‘Express, The Beatmasters, and Coldcut on their label
Ahead Of Our Time, he did not succumb almost entirely to the charms
of the wild days of sampling, instead aiming more for his own
musicianship than a wild collage of references with a beat. And in
contrast to Manchester artists like 808 State and A Guy Called
Gerald, who achieved a similarly distinctive sound, he was ready,
willing and able to sing as well, and he implied his sense of humour.
Be it „Ooochy Koochy“ or „Chikki Chikki Aah Aah“, his music
was catchy and smart, but instrumental gems like „Fordtrax“
already proved that he knew how to arrange and set a mood. He seemed
to make fine use of his influences as much as he made them his own,
and he established a mini-canon of his own work in which his ideas
naturally referred to each other.
Already a year later his second album „’Ooo’ The World Of Baby
Ford“ aimed considerably higher. There are variations of „Fordtrax“
material but in a different, more mellow mood („Milky Tres / Chikki
Chikki Aah Aah“). Which is perfectly ok if your source material is
good enough to be reinterpreted in such a short time. Other tracks
like „Let‘s Talk It Over“ or „The World Is In Love“ have a
similar mood, somehow as urban as pastoral, sublime and full of hope.
„Beach Bump“ or „A Place Of Dreams & Magic“ are more over
the top, reviving the camp fun of „Oochy Koochy“ and other
livelier tracks he made before. And then there are tracks that hint
at the idea of this album as a continuation of gone but yet still
lasting UK youth cultures. In terms of music „Poem For Wigan“ and
„Wigan“ have not much in common with the 70s northern soul haven
Wigan Casino (or the Jazz Funk and later Electro played at Wigan Pier
club by its resident DJ Greg Wilson), but Baby Ford grew up near
Wigan and experienced what happened there, and both tracks have a
sentiment true to the inspiration. You may now flock to other clubs
and dance to other sounds, but the spirit is the same. Else the cover
version of T.Rex‘s „Children Of The Revolution“ is more
obvious, putting the 70s glam rock anthem into the context of the
acid house movement, whose children won‘t be fooled either. It is
time again for the UK youth to rise up against it, and this is how it
sounds. And then the according modern grooves also meet the
modernized version of the hippie era aesthetics that the tabloids and
authorities directly diverted to blame and prosecution. Where there
are loved up messages and melodies, psychedelic colours and a quest
for an alternative way of living, there must be something for society
to fight back, regardless of what you are afraid of in the 60s, 70s,
80s, or the decades to come. Us against them, forever irreconcilable.
This
album captured the revolutionary spirit and joy of that time
perfectly, and it indirectly predicted why it could not last. It was
not widely perceived as a defining statement and Baby Ford did not
become the defining pop star, and he seemed to abandon his bright
ideas soon after. First with the subsequent 1992 album „BFORD9“,
which still had some traces of his prior optimism left, but which
also confrontationally displayed disillusionment, darker topics and
harder sounds, until he reduced his persona and sound more and more,
albeit still with consistently great creative results. Either way,
Baby Ford‘s world may have not been big enough, but you still think
‚Ooo‘ when you think of it.
If Kassel is known in Germany for another cultural contribution besides the art fair Documenta it is the legacy of the techno club Aufschwung Ost, and its renamed successor Stammheim. Both clubs were located in a former textiles factory building called Kulturfabrik Salzmann that served mainly as an art space. When Aufschwung Ost opened in 1994, it quickly established a national and international reputation that exceeded those of clubs in similarly middle-sized cities. The main resident DJs, the late Pierre Blaszczyk aka DJ Pierre and Mark Pecnik aka DJ Marky, built a dedicated local following with their state of the art techno sound, and managed to pull in every main guest DJ important in the techno scene, propelling the club to the level of famous clubs in Berlin or Frankfurt, until its lease ran out in 2002 and it had to close. We asked DJ Marky to recall some of the tunes that ruled the floor in both clubs.
.xtrak – Facc (Peacefrog, 1995)
This bleep track by Todd Sines, who regularly collaborated with Daniel Bell, was played a lot at our club. It is had a minimal sound but a maximum impact on the floor. The hi-hats coming in at the first minute are just a dream.
Jiri.Ceiver – Osiac (Vogel’s Funky Sola Mix) (Harthouse, 1995)
It is very difficult to develop an own signature style. But what Cristian Vogel and other artists such as Neil Landstrumm, Dave Tarrida, Si Begg and Justin Berkovi released in the 90s was definitely new and not existent before. This track stands for the Brighton sound and its wonderful playfulness which was very influential over the years for the resident DJs at Aufschwung Ost and Stammheim.
DJ Hyperactive – Venus (Missile, 1996)
Chicago techno at its best. A peak time banger that never failed to work on the big floor. You still hear it in the sets of well-known DJs.
Daft Punk – Rock ‘n’ Roll (Virgin, 1996)
You just could not pass by Daft Punk in 1996, but you did not want to anyway. Their „Homework“ album included this track and to this day it is still one of the best house and techno albums for me. Either the album or other terrific releases on Thomas Bangalter’s label Roulé were constantly played on both our techno and floors.
Wishmountain – Radio (Evolution), 1996
Sven Väth played this as a white label at our club, in early 1996. It was way ahead of the official release date, so the whole crowd was unfamiliar with it. The energy this track built up on the floor in just a few minutes was just incredible. It was a miracle that the whole place did not just collapse at the last break. What Matthew Herbert created with this track is unique and it is perhaps THE quintessential Aufschwung Ost/Stammheim classic.
Skull vs. ESP – Power Hour (Sounds, 1996)
A beautiful track by DJ Skull and Woody McBride. It came out on Sounds back then, which was a sub label of Communique Records, a very popular label with the resident DJs that had several legendary releases. I liked to play it in the early morning hours.
Green Velvet – Destination Unknown (Relief, 1997)
I could have picked „Flash“, „La La Land“ other Green Velvet classics as well. The Relief and Cajual labels were essential to any of our parties. You can witness its effect at Green Velvet’s legendary gig at our club in 2001 ( https://www.youtube.com/watch?v=ES0ldBe4kZA).
Coldcut & Hexstatic – Timber (Ninja Tune, 1998)
This is an absolute DJ Pierre classic. There was not only hard techno being played at Aufschwung Ost and Stammheim, and this is a wonderful example. Particularly in the morning the residents had enough time to experiment with different styles and we did just that. Electro, big beat and cuts ‘n’ breaks, everything was tried and tested. That was just as much fun for the dancers as it was for us DJs.
DJ Rolando – Knights Of The Jaguar (Underground Resistance, 1999)
A masterpiece by Rolando and Underground Resistance. This track on the big floor at 10 A.M. meant instant goosebumps for everybody. The light came through the windows, and together with the music created a magical vibe each time the track was played. It will still put a smile on those dancers today.
DJ Rush – One Two Zero (Pro-Jex, 1999)
DJ Rush and Stammheim was love at first sight. The residents loved his mad beat constructions. There was probably was not one set from us big floor DJs without at least two tracks by him. And on the other hand DJ Rush adored Stammheim, it was the best club for him back then.
Aphex Twin – Windowlicker (Warp, 1999)
Aphex Twin was formative for his time, and „Windowlicker“ is just one example. I chose it because Pierre used to end long nights by playing this as his last record. It was always astonishing how much energy it could restore for one last time. So it is a classic forever connected to Pierre.
Stefan Küchenmeister – Soda Stream (Hörspielmusik, 2000)
Stefan Küchenmeister was one of the Stammheim residents and he delivered one of the big Stammheims anthems with this track. Fortunately it was released on „Hörspielmusik“, the label I ran with Pierre, and thus we had a home-made Stammheim hit record.
Labels such as Labels wie Profan, Kompakt and Auftrieb developed the sound of Cologne, that us residents really cherished back then. This remix was also one of the big Stammheim anthems.
Vitalic – La Rock 01 (International Deejay Gigolos, 2001)
What can you still say about this track? Pure energy on the dance floor! And one of my all-time favourites.
Depeche Mode – Dream On (Dave Clarke Remix) (Mute, 2001)
Depeche Mode and Dave Clarke? That is the perfect combination that could only lead to a killer track. Dave Clarke knows how to transform an already great track into his own style, resulting in something even better, without losing any of the source’s original greatness. This is a rare gift. A big peak time number at Stammheim.
Schon bei ihren ersten Veröffentlichungen zur goldenen Ära des Samplings gab es neben den Hits diesen Anflug des halbgaren Sammelsuriums, doch diese Rückmeldung ist in der Originalversion wirklich schauderhaft. ‚Politischer’ Agit-Prop-Rap mit Wummerbeats und Jon Spencer an der Schweißgitarre, das will so unbedingt rocken und dabei noch die korrekte Message haben, dass peinlich berührt sein ansatzlos in pures Fremdschämen übergeht. Trevor Jackson als Underdog, Solid Groove, DJ Kentaro und die Qemists versuchen es zwischen Entschlackung, Tanzflächenoptimierung, Turntablism-Kinkerlitzchen und Jump Up, doch aus dem Bruckheimer will einfach kein Autorenkino werden. Immer noch zuviel dumpfer Bratz drin.
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