@ Panorama Bar

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Finn Johannsen – Live At Studio Orpheus, Sofia, November 25th 2016

Wonderful night in Sofia. Elektro Guzzi were playing live and I shared the decks with KiNK and StefaK. The main sponsor of the night was Ballantines and true to Bulgarian standards everything you could get to drink was Ballantines in some variation, you could not even get water. Well, the party went accordingly.

KiNK vs. Elektro Guzzi ‎– Atlas / Vodolaz Versions

Macro M42 – KiNK vs. Elektro Guzzi ‎– Atlas / Vodolaz Versions

@ Macro Presents

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Finn Johannsen – Interview for The Screen Girls

Finn Johannsen is the kind of DJ we didn’t think existed anymore. He has an encylopediac knowledge of music and it’s apparent when watching him play that his understanding of music moves him while he’s moving the crowd. The Berlin based DJ has been a fixture in house music since he began spinning in clubs in the ’80s. His command of music has led him to branch out from DJ’ing, as a buyer for legendary Hard Wax in Berlin, where he curates a selection of sometimes very hard to find vinyl in different genres, like dub or acid techno. He’s a co-owner of Macro Records, a label which reps artists like KiNK and Morgan Geist. He’s also a writer, contributing to electronic bible Resident Advisor.

Our favorite thing about Finn, is his dedication to vinyl. He only plays vinyl during his sets, which is quite a feat, considering he tends to play marathon sets (we caught him during a three-hour feat). It’s easy to keep the crowd moving when you’ve preselected a surefire mix with whatever is trendy at the moment, but Finn chooses to keep an eye on the crowd and let that determine which record he ducks down to grab from the thick stack he’s brought with him (did we mention he doesn’t play the same set twice?).

We asked him to tell us a little bit about how he got started, the state of the music scene in Berlin and his advice for aspiring DJ’s. Catch the Q+A below.

What attracted you to house music?

When I first heard house records in clubs, internet was not an option. I learned where it came from from magazine articles, but later on. I liked that it condensed a lot of music I liked before into something new, which sounded primitive, fresh, and effective. For me it was just another step in the chronology of club music though, albeit one that surpassed early fad status very quickly.

How has house evolved since you first started spinning?

It absorbed a lot of music styles and got bigger and bigger. But it also fragmented into countless sub-genres. Nowadays the style is as detached from its origins as it is close to it. And that is not even a contradiction. It seems anything is house, and nothing.

How do you think social media has changed the way music is shared?

Social media has changed everything in terms of accessibility. You can be up to date with anything you are interested in, no matter where you are. The problem is that you are also up to date with anything you are not interested in, and there is not much you can do about it.

What is the Berlin scene like right now?

Berlin drains a lot of talent from anywhere else in the world with the promise of affordable everyday living, and lots of opportunities to earn money and reputation with what you do, particularly in the club scene. That may be true in comparison, but it also means a lot of competition with a lot of talent, and the affordability is waning. The influx of national and international artists have not yet led to a distinctive sound you can link to the city either. The sound of Berlin now is a plethora of sounds, with a huge network attached. But the city also has a plethora of distractions, which are not always helpful with a creative process.

You impressed us with your 3 hour set, and you’ve said that you don’t play the same set twice. How do you read a crowd and keep the party going?

To me it makes no sense to repeat certain sequences that people might have heard at other gigs or on online recordings of mine. I have enough records to try and avoid that. When I travel and I have to do a succession of gigs with the same record bag, I try to change the set as much as possible, in order to challenge myself and offer some surprises for the ones who came to see me. I am interested a lot of different kinds of music and I like to make use of that. Well, I get bored very easily, too. And I do not want anybody else to get bored either. When I’m about to play somewhere I’m the type trying to arrive in time to check out how the night is evolving. I only play vinyl, so I have to get along with the records I brought, and I select those records by doing some research about the place I’m due to play, and sometimes who else played there as well. But how much I can succeed with said selection is pretty much down to the experiences gained in nearly 30 years of playing out in clubs. It works well most of time, but there is never a guarantee. And there should be none. Routine is the enemy, and failure is as important as success.

You move seamlessly through different fields; is it easy for you to transition through each field? How do you balance?

It actually is not easy at all. Not only in terms of scheduling, but also because certain things I am involved with do not get along to well with others. I think it is obvious that running a label myself and buying and selling other labels at Hard Wax does not really blend well with writing about other labels, for example. So I stepped back from writing considerably, even if I am missing it quite a bit. I still do some interview or features about more general topics, but nowadays discourse is an almost totally neglected aspect of music journalism, both due to networking obligations between the music business and the media, and a lack of self-criticism on the side of the artists. This also applies to the other things I do. Mostly they benefit from each other, but there is also always a potential they might affect each other negatively. You have to keep a lot of things in mind, and often you do not want to, or even can.

We’re in the era of the “laptop DJ”. Do you think it’s important to learn to spin on vinyl?

I have not much respect for digital DJ’s who stress the layering aspects of their setup, and then just play track after track from a huge database. For me then, the only aspect is convenience. But the entertainment value of a DJ set is not dependent on the medium it is performed with. The music matters. Still, I prefer DJ’s who do the mixing by ear, and who rather watch the floor instead of a display. I do not think that you should start DJ’ing by learning your craft with vinyl. But you should learn your craft first.

Is dj’ing an art form?

No, it is the means to an end.

What advice could you give to dj’s who are just beginning?

There are legions of DJ’s. If you want to make a difference, be different.

Interview for The Screen Girls

KiNK – Under Destruction

MACRO M38 – KiNK – Under Destruction

Finn Johannsen – Hot Wax 015

KiNK – Sintezator
DJ Richard – Freydis
MGUN – Funkshun
NGLY- 5674
Specter – Zodiak
Hound Scales – Odile
Ondo Fudd – Coup D’Etat
Deyal – Get To This
Medium Length Hair – Untitled
Vereker – Untitled
Gunnar Haslam – Kohle (Beats)
Acido 16 – A
Acido 17 – A1
Inga Copeland – So Far So Clean
Unicorn Hard-On – Houndstooth
William Onyeabor – Good Name
MD – Whitecaps
Minor Science – The Beckoner
Austin Cesear – 1 Year
Even Tuell – Beats Come
Alias G – I Can’t Get Out Of The House
Point Break – Eating Alone
Buz Ludzha – Bassline For Death

Benedek – Untitled
Vincent Floyd – Moonlight Fantasy A2
Pender Street Steppers – Openin’ Up
Psychic Youth – Our Lips Are Sealed

@ Macro x Stattnacht

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Finn Johannsen – Mixmag.info Podcast #75

Mix I recorded for a Russian podcast. Which might explain the intro. Well, it did not help in the end.

Pet Shop Boys – My October Symphony
DJ Sprinkles + Mark Fell – Say It Slowly (N.U.M. Mix)
Robert Hood – Torque One
DJ Qu – Times Like This
King Felix – Spring 02
Schizolectric – Traveller Circuit
Paranoid London feat. Paris Brightledge – Paris Dub 1
Cheap And Deep – Words, Breaths & Pauses (Jonsson/Alter Remix)
Frak – Untitled (DJ Sotofett Remix)
SVN Feat. Paleo – Track 1
Velvet Season & The Hearts Of Gold – The Special Place
Theo Parrish – Black Mist
Funkinevil – Night
Heatsick – Benelux
Innerspace Halflife – Wind
Four Tet – Percussions
Bookworms – Love Triangles
Aardvarck – Nubian
Joy Orbison, Pearson & Boddika – Faint
Mark Fell – Side 3 Track 5
Stefan Goldmann – Rigid Chain
Secret Mixes Vol. 14 – I’m Warning You
Pépé Bradock – Katoucha?
Trance Yo Lie – Cosa C’e Sotto?
KiNK feat. Rachel Row – Hand Made (Main Mix)
Soundstream – Disco Crash
Da Sampla – Over
Unfinished Business – Out Of My Hands (Love’s Taken Over)
Dez-Andrés – Seasons So Long
Lil Louis – Fable (Frankie Knuckles’ Directors Cut Classic Club Mix)

Finn Johannsen – La Maison Des Ingénieurs De l’Aggro

This mix was inspired by a very memorable Macro label night we did in Paris. Peter Kruder, Stefan Goldmann and me were invited by Hardrock Striker. Of course drinks in Paris clubs were expensive and it was Halloween, so everybody with a costume had reduced admission. Which led to a whole crowd in costumes. I messed up a few mixes because I laughed so much about the guys dressed as teletubbies in the front row. See photos below.

Odd Machine – Phase Out
Instra:mental – Leave It All Behind
Zomby – Tarantula
Stress – Down In The Dungeon
Shake – Indagoo
Dread & Fred – Warriors Advance
Posthuman – Callisto
Paul Du Lac- Blow Back
Ricardo Jefferson – The Egg (Part One)
Patrick Cowley & Jorge Socarras – Memory Fails Me (Oni Ayhun Remix)
Mark Grusane & Mike Cole Feat. Deanna – Time & Space (Vocal)
Marcello Napoletano – Space Voodoo
B.D.I. – City & Industry
Anthony “Shake” Shakir – Arise
The Oliverwho Factory – Disco Nights
Rennie Foster – Good Time Charlie
Octave One – A World Divided (Jupiter II Mix)
Gesloten Cirkel – When It’s Late
Iamthatiam – Inri
Moderat – Seamonkey (Surgeon Remix)
Patrick Cowley & Jorge Socarras – Soon (KiNK Remix)
Ben Klock – Ok (Kenny Larkin Remix)
Optic Nerve – Origins
Oni Ayhun – OAR003-B
San Proper – December 10th
Dan Curtin – Other
Tama Sumo & Prosumer – Alien Mutts
Kirk Degiorgio – Isidora
Roska – Sheppard
Lowtec – Angstrom
Peter Kruder – After The Dawn
As One – Freefall
Newworldaquarium – The Force (Âme Remix)
dBridge – Wonder Where
Kinf Midas Sound – One Ting (Dabrye Rmx)