@ Power House

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DJ Pete & Finn Johannsen – Live At Power House, September 22nd 2017

There were different things that led to my Power House residency. First of all was working with DJ Pete for eight years at Hard Wax. There was a special kind of house music he called Power House. It was mostly pumping, bottom heavy. With good floor credentials. It had to have some originality, but it had to work. After a while the term stuck. Shed used it for his label and I, for the time being, as description. But around that time I was not happy with a lot of club nights in Berlin and beyond, and the kind of house music played there. It seemed theoretical to me, overladen with virtual knowledge, but lacking in experience how to make a night fun, and not even interested in it. Often I stood in a club and the headliner played like a warm up. In a highly unfair moment we called it shoegaze house music. And I actually like shoegaze music. But we thought it would be great to just do a night where the music pumps right in your face and having a good time is the goal, but it had to be reached with some flair. A kind of extrovert counter-reaction. And at that time I was missing a regualr night where I could just do whatever I wanted to do.

I always like to put ideas into action so I told Pete why not do a night with a sound that more represents our idea of a good night out. And not only one sound, several sounds. But not necessarily in one night. I asked my friend Philip Marshall if he would take care of an instantly recognizeable artwork, and gladly he agreed.

And so we stood at Paloma, playing some known and relatively unknown house, and we did not even run a big PR to make it work. It just worked. The floor was rammed for 8 hours and dancers were screaming in our face. It was just wonderful. At that time we saw the potential that it might work once more. And soon enough I had a monthly residency, did Power Disco too with the same attitude, and it is still going strong.

Over time the concept became quite elastic, we explored many styles in our archives. We were never so rigid to begin with. We just had way too many records and used them. And we invited other DJs who liked the idea as well. At the time I am writing this the residency is going for 8 years, and it is still successful. Sometimes I curse it too. It became a kind of impromptu mission statement I am strongly associated with, and it became a profitable night for Paloma. But I am sure I will let it go before it is not fun anymore. Because that it what is was always about.

@ Power House

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@ Wax Treatment

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@ NTS Radio – Live From Berlin

Hot Wax: dBridge – Wonder Where

I must admit that I did not buy that much Drum and Bass in its mid 90s heyday. I simply loved too much of it, thus it seemed purchasing what I loved would drain my budget for good, as there was enough already going on elsewhere I needed to keep track of. I bought a whole lot of mixtapes though, trying to devour the most and best of it as it was intended to shine. I applied the same pattern with Dubstep as well later on. There were just too many interesting records to add the them to the shopping list I already had week in week out. I went to nights, bought some mixtapes again, kept in touch. But then some day 5 years ago, I was going up the stairs to Hard Wax, and DJ Pete was booming this over the store PA. With every step up I became convinced more and more that this was not like anything I heard in either Drum and Bass and Dubstep so far, yet it sounded like it belonged to both, but it had very determined sound aesthetics more linked in my mind to Techno as well. The half time tempo had me confused at first. Of course you could always mix Drum And Bass or Dubstep with slower paced downtempo tracks, but this particular track seemed to be built for the purpose, only the other way round. Its beats were really heavy, yet agile. It’s atmosphere dark, yet totally engaging. The vocals floating above, adding still to the austerity. I asked what it was, and bought it instantly. There will be a time you will drop this, and it will do serious damage, I thought. I was right. I also fucked up my budget by extending my purchasing schemes to this area, for years to come. Sometimes, you just have to give in.

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@ Ein Freitag Im Farbfernseher

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@ Farbfernseher

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@ Farbfernseher

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@ Killer Album Release Rave

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