@ 1. Mai im Farbfernseher

Posted: May 1st, 2014 | Author: | Filed under: Gigs | Tags: , , , , , | No Comments »

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@ Vinyl City – A Look At Berlin’s Record Store Culture

Posted: November 8th, 2013 | Author: | Filed under: Gigs | Tags: , , , , | No Comments »

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@ Resonances – Music, Affect, And The City

Posted: November 7th, 2013 | Author: | Filed under: Gigs | Tags: , , , , | No Comments »

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RA Ex163 – Critics Roundtable

Posted: August 29th, 2013 | Author: | Filed under: Interviews English | Tags: , , , , | No Comments »

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Edit Etiquette

Posted: January 31st, 2012 | Author: | Filed under: Interviews English | Tags: , , , , | No Comments »

Contributed some thoughts on for Will Lynch’s feature at Resident Advisor.

Another prevalent argument has more to do with artistic merit. When Tom Moulton and his peers made the first edits on reel-to-reel tape, they were, intentionally or not, designing a musical experience that had never existed before. The same could hardly be said for many of today’s edits. “You have this glut of edits which are no longer interested in diving deeper and deeper,” says Finn Johannsen, the DJ, music critic and Hard Wax employee. “Back then, there were no computers, so beatmatching and the convenience aspect was not the point of it. Today, there are a lot of edits floating around where the only purpose is to make DJing easier.” He finds many of the arguments in favor of edits “valid but lazy. You can always say ‘It’s always been this way,’ and of course it was, but to make that your main mission… it’s just a question of what you’re aiming for as an artist.”